Description
TitleArnett Cobb oral history interview
IntervieweeCobb, Arnett
InterviewerDance, Helen Oakley
InterviewerDance, Stanley
Date Created1978-03
Genreoral histories
Genreinterviews
Note(s)Arnett Cleophus Cobb (1918-1989) was a tenor saxophonist from Houston, where from 1960 he led a big band and managed the Ebony club. After 1973 he performed at Town Hall in New York and began touring Europe. Cobb's names appear also as Arnette and Cobbs.
Table of ContentsPage numbers here indicate page numbers for "Read Online" interface. Page numbers listed on transcripts may differ.
Tape 1 Side 1...pp. 2-25
Tape 1 Side 2...pp. 25-45
Tape 2 Side 1...pp. 46-63
Tape 2 Side 2...pp. 63-82
Tape 3 Side 1...pp. 83-104
Tape 3 Side 2...pp. 104-126
Tape 4 ...pp. 126-148
Tape 5 Side 1...pp. 149-171
Tape 5 Side 2...pp. 171-192
Tape 6 Side 1...pp. 192-216
Tape 6 Side 2...pp. 216-240
CollectionJazz Oral History Project
Organization NameRutgers University. institute of Jazz Studies, Rutgers University. Institute of Jazz Studies
RightsThe Rutgers University Institute of Jazz Studies (IJS) promotes the use of its collections, and strives to protect the integrity of its materials. We offer digital reproductions of IJS materials subject to U.S. copyright law and other legal obligations.
NOTICE OF WARNING CONCERNING COPYRIGHT RESTRICTIONS
The copyright law of the United States (Title 17, US Code) governs the reproduction of copyrighted material.
Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.
PlaceWashington, D.C.
