Note[biogHist] Quentin "Butter" Jackson (1909-1976) was a fixture with Duke Ellington's Orchestra in the 1950's. Quentin was Duke's best wah-wah trombonist (an expert with the plunger mute) since Tricky Sam Nanton. His brother-in-law Claude Jones (who played with McKinney's Cotton Pickers) taught him trombone. Jackson played with Zack Whyte (1930), McKenney's Cotton Pickers (1931), Don Redmans's Orchestra (1932-40), Cab Calloway (1940-48) and Lucky Millinder. He took occasional solos with those groups and in the early days was a balled singer. But most important were his contributions to Duke Ellington's music (1949-60), both as a soloist and in ensembles. After leaving Duke's orchestra. he toured Europe with Quincy Jones (1960), played with Count Basie (1961-62), recorded with Charles Mingus (1962), returned to Ellington (1963) and worked with the big bands of Louie Bellson and Gerald Wilson. Quentin Jackson was with the Thad Jones/Mel Lewis Orchestra (1971-75) near the end of his life. His only session as a leader resulted in four titles in 1959 that were reissued by Swing.

NotePortions of the publicly available digital files for this transcript have been altered to restore them to their original state.

Genreinterviews, oral histories

Persistent URLhttps://doi.org/doi:10.7282/t3-fzx2-9q36

Languageeng

CollectionJazz Oral History Project

Organization NameRutgers University Institute of Jazz Studies, Rutgers University. Institute of Jazz Studies

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