NoteSam (née Samuel David) Wooding (1895-1985) was an American jazz pianist, arranger and bandleader. In 1919 he formed a band which eventually had a residency at New York's Club Alabam. In May 1925 he sailed to Europe leading the orchestra that accompanied the "Chocolate Kiddies" revue playing a residency in Berlin and touring Scandinavia, Russia, Turkey, Romania, Great Britain, etc. Wooding left the revue in 1926 forming his own orchestra and touring Europe and South America and playing various residencies in the U.S. throughout the 1920s and 30s. Wooding earned a master's degree in education from the University of Pennsylvania and taught in the early1950s. He formed a duo with his wife vocalist Rae Harrison and the couple toured throughout Europe and the United States.
Organization NameRutgers University. Institute of Jazz Studies
RightsThe Rutgers University Institute of Jazz Studies (IJS) promote the use of its collections, and strives to protect the integrity of its materials. We offer digital reproductions of IJS materials subject to U.S. copyright law and other legal obligations.
NOTICE OF WARNING CONCERNING COPYRIGHT RESTRICTIONS
The copyright law of the United States (Title 17, US Code) governs the reproduction of copyrighted material.
Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.