Now Playing: Tape 1 Side 1
Now Playing: Tape 1 Side 2
Now Playing: Tape 2 Side 1
Now Playing: Tape 2 Side 2
Now Playing: Tape 3 Side 1
Now Playing: Tape 3 Side 2
Now Playing: Tape 4 Side 1
Now Playing: Tape 4 Side 2
Description
TitleMario Bauza oral history interview
IntervieweeBauza, Mario
InterviewerRoberts, John Storm
Date Created1978-12
Genreoral histories
Genreinterviews
Note(s)Mario Bauza (1911-1993), a Cuban jazz musician who played oboe, clarinet and tumpet, is best known for his collaboration with Dizzy Gillespie and his contributions to Latin jazz. Bauza and Gillespie fused Gillespie's bebop and Bauza's Cuban music into cubop, one of the earliest forms of latin jazz music. Many jazz historians call Bauza the;founding father of Latin jazz; Bauza also worked with Chuck Webb, Ella Fitzgerald, Don Redman and Cab Calloway. He was also the musical director of the Afro-Cubans, a band led by his brother Machito, and led his own band in the 1980s until his death in 1993.
Note(s)Portions of the publicly available digital files for this transcript have been altered to restore them to their original state.
Note(s)Tape 3, Side 2 ends on page 137. Recording goes to 00:25:07. Recording from 00:25:07 - 00:30:07 not reflected in the transcript.
Pages 137-150 are not in audio tape and discuss Xavier Cugat.
Tape 4, Side 1 has a transcript until 00:16:04. One page is missing from this portion of the transcript.
Table of ContentsPage numbers here indicate page numbers for "Read Online" interface. Page numbers listed on transcripts may differ.
Tape 1, Side 1...pp. 1-33
Tape 1, Side 2...pp. 33-59
Tape 2, Side 1...pp. 60-81
Tape 2, Side 2...pp. 81-100
Tape 3, Side 1...pp. 101-120
Tape 3, Side 2...pp. 120-137*
No tape...............pp. 137-149
Tape 4, Side 1...pp. 149-173
Tape 4, Side 2...pp. 173-195
*transcript abruptly changes at 137. See notes below.
CollectionJazz Oral History Project
Organization NameRutgers University. Institute of Jazz Studies, Rutgers University. Institute of Jazz Studies
RightsThe Rutgers University Institute of Jazz Studies (IJS) promotes the use of its collections, and strives to protect the integrity of its materials. We offer digital reproductions of IJS materials subject to U.S. copyright law and other legal obligations.
NOTICE OF WARNING CONCERNING COPYRIGHT RESTRICTIONS
The copyright law of the United States (Title 17, US Code) governs the reproduction of copyrighted material.
Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.
